Welcome to my blog! I am the author of the Hedgewitches series. I also review books and movies; my husband and I have embarked on a project to watch all of the Academy Award-winning Best Pictures in order (starting with Wings and working forward) plus some of the nominees depending on how we feel so all of my reviews for those will be viewable here.

I may hate a movie/book you love or love something you hate. That's fine; the opinions expressed here are solely my own. I will not tolerate personal abuse toward myself or any other posters. I will not engage with any comments using insulting language and the comments will be summarily deleted.

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Sunday, June 9, 2019

Best Picture #25: The Greatest Show on Earth (1952)

I am really glad The Greatest Show on Earth turned out to not be the direct predecessor of The Greatest Showman. Other than being about the circus, they are completely different. The circus in The Greatest Show on Earth is well-established and huge. A large portion of the movie is just footage of the acts. I can see the appeal, since it brought the excitement and atmosphere of the circus to the moviehouses. We were entertained almost in spite of ourselves (and in spite of its ridiculous length, this being a film directed by the guy who also did the epic Ten Commandments and also starred bombastic Charlton Heston).
The plot, if it can be called that, is pretty basic. Behind-the-scenes interpersonal drama in a very large circus; love and rivalries blossom and fade between the acts and the individual performers. The draw for the most part is watching the acts perform (done for the most part by actual Ringling Bros/Barnum & Bailey acts). That in itself might have been enough to put it in Oscar contention since it brought the magic of the circus much closer to everyday life and in bright, flashy colors. There is also a very dramatic train wreck towards the end that even though it's obviously done in miniatures is still very impressive and looks less fake than some CGI.
This is supposed to be one of the least deserving Best Picture winners. There is some merit to this, since it beat out High Noon and Singin' in the Rain, both of which have endured longer in the public consciousness, and director Cecil B. DeMille's best-known work now is of course The Ten Commandments, which itself did not win Best Picture. But Best Picture awards don't measure what stands the test of time, they are in many ways a litmus test for the atmosphere of the day, and this movie was the highest grossing film of 1952. For us at least, this is definitely not one of the worst Best Pictures we've seen yet; some, like Broadway Melody, The Great Ziegfeld, Cimarron, and All the King's Men, have been downright painful to sit through. This was big, bold, and entertaining.
Watched: June 12, 2018

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